2013
05.26
Jon admits “I had forgotten about this song, but I finally managed to get back to FSC last month and was reminded of it there. It’s fascinating to see how some songs had evolved since I’d last camped (six years ago or so). This is a distant cousin of the The Prentice Boy, Cruel Knife, Worcester City, etc.”
It immediately made me think of Neil Young’s Down By The River, which I guess is part Neil, part Hey Joe and part this, but then I suppose it belongs in the long tradition of murder ballads. I was also somewhat amused to see a quest to link this to some historical event as surely Jon has this one right as an Americanised version of the title he mentions above to which I’ll add Banks Of red Roses. A worthy entrant into the murder ballad canon it is, however, with an intriguing couple of female variant also surfacing, albeit recent rewrites as you’ll see on this Mudcat thread.
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Category News |
2013
05.25
It’s the one you’ve been waiting for folks! Following on from the huge success of 2008′s release That’s Proper Folk which sold over 60,000 copies, we’re delighted to announce that the long-awaited follow-up – This Is Proper Folk Too! – is due out on the 18th June 2012 and features a fantastic selection of new and unreleased tracks by the best of Proper-distributed folk artists.
The 10-track sampler includes exclusive previews of forthcoming albums by Bellowhead, Karine Polwart and Kathryn Roberts & Sean Lakeman plus unreleased songs from Jon Boden & Sam Sweeney, Show Of Hands and Heidi Talbot. The album also features choice cuts from recent acclaimed albums by Seth Lakeman, June Tabor & Oysterband, The Imagined Village and Fay Hield.
The album is released on the 18th June and is available to pre-order now from:


Tags: bellowhead, jon boden, karine polwart, kathryn roberts, proper folk, properfolk, sean lakeman, seth lakeman Category News |
2013
05.25
Jon acknowledges that “This will always be associated with Robin and Barry Dransfield, although Graham Metcalf also does a fine version. It sort of feels like it’s going to be a sad song but then it just gets happier and happier, which makes it very unusual – it’s normally the other way around…”
I must say this one confused me a little to start with (It’s not hard let’s face it!) with the word ‘rout’ and my instant thought of disaster. Thankfully Mudcat was at hand with this most useful post explaining that the word used has another meaning of muster or bring out of hiding. It’s also interesting to see that it derives from Old English rather than Old French via Middle English. I’m also grateful for the regimental detail and if there are any military historians looking in who know more about the regiment I’d like to know. Anyway, the song makes sense now, with the young lasses presumably lamenting the imminent deployment of the gallant young soldiers and everyone else swept up with the glory of it. Marvellous!
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Category News |
2013
05.24
Jon admits “This doesn’t really work without a chorus but I didn’t have one to hand I’m afraid. I think I prefer it with a dovetailing chorus (as on Hedonism but also on the Young Traditions version from where I learnt it) but again that doesn’t work when you’re by yourself!”
I’m sure you’ll all know it by now, but it’s still interesting to hear this one shorn of all its punk-funk-folk-shanty-madness. I’m sure it was at Shepherd’s Bush last November that Jon drolly introduced this by saying, “Lots of people have asked us to drop this one… But we don’t do requests.” I remember the shock of hearing for the first time, but it’s now so ingrained as to scarcely register as anything odd. It did send me scurrying back to Bert Lloyd’s version on the Sailor’s Songs & Sea Shanties CD and even that one benefits from a massed “Haul him Away.” The only thing I can suggest is to join in yourselves and give Jon a hand. It’s also interesting to see on Mainly Norfolk that Maddy Prior has had a crack at this one and the extra verses will perhaps add an appeal to the singers amongst you. Mind you, I’m sure you could make up your own with impunity as I’m sure many will have done so before you.
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Category News |
2013
05.23
Jon enthuses “This is a great anthemic number. I know it from Nic Jones’ version but also from James Fagan and Ian Giles. What a great chorus.”
Nic has this on Penguin Eggs of course and it’s written by Paul Metsers. In this case I’ll simply refer you to Mainly Norfolk as Reinhard has a note from Paul explaining how the song came about. You can also link to Paul’s website here and you’ll note his debt of thanks to Nic for the inclusion. Having moved to the UK and been active on the folk circuit through the 80s, he’s long since stopped the national touring although still plays locally to his Kendal home. You’ll find his CDs are being made available to mail order and you can listen to some samples as well. It’s surely worth a few minutes. You might also like a quick Wiki at the story of the New Zealand gold rush as there’s some fascinating stuff to be read there. I’ll note not for the first time that the trades that set up to support the prospectors were more profitable than most of the gold mining and panning that went on. There clearly was a substantial amount of gold to be had, but it would take some serious equipment and modern processes to extract it in any serious quantity. It must have been an unbearable life for most, always one shovel full away from a strike.
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